Visual Violations

I did not get this Fosters ad until someone explained it to me. I did not get the connection between the picture and the narrative. Alcohol advertising is directed to young men and the Addiction Letter (1994, p 3) says such advertising has an implicit and “dangerous promise”, that sex is an outcome to drinking.

The cantilevered breasts are an attempt at such an appeal, I guess. However, Sullivan says (2008, p. 55) that boobs are now a visual cliche in beer advertisements.

The idea here is that they provide shade to keep the beer cold. There is a risk, though, that young men seeing this ad could care less about Fosters, warm or cold, and take away the two attractive models from the ad.

At a brand level, IBM's Linux brand extension is a puzzle. Its Graffiti ads, for example, make no sense to me either. They are inconsistent with the entirety of IBM's umbrella brand that negotiates a meaning of stability, reliability and trustworthiness. Things you would want when entrusting them with corporate information systems. Instead, for the Linux brand extension, this is an ad campaign centered around a socially irresponsible act.

IBM actually defaced public properties in the campaign and they were prosecuted by Chicago and San Francisco (see Computer Weekly) . Shepard (2006, p. 3) advises that visual cues and brand dimensions should be consistent with the enterprise message architecture of a company. I view the IBM dimensions as trust, reliability, and stability. They are not a trendy clothing line where guerilla marketing might work.

For successful management of visual imagery and narrative, I present for your consideration Coca Cola. Coke communicates vitality and refreshment and always has an appeal to modernity. Coke is also part of my life. With its campaigns throughout history, The Pause that Refreshes, The Real Thing, and Max Headroom, Coke positions itself as something that fits into my lifestyle. It’s a cultural touchstone. To me Coke communicates style and energy.

Red is, after all, the color of vitality (McCarthy, 2005, p. 3)

References
Addiction Letter (March 1994) `Dangerous promises' campaign successfully fights sexy alcohol ads. Retrieved on November 9, 2009 from EBSCOHOST.

McCarthy, Jared (2005). Logos: What Makes Them Work. MarketingProfs.com. Retrieved on November 9, 2009 from WVU IMC 625 Week 3 Readings.

Salter, C., (2001). Trendsetter. Fastcompany. ecampus.wvu.edu readings. Retrieved, November 6, 2009 from WVU IMC 625 Week 3 Readings.

Sullivan, L. (2008). Hey, Whipple, squeeze this: A guide to creating great advertising. (3rd Ed.). Hoboken, NJ: John Wiley & Sons.

Anthropologie Visuality

Anthropologie understands its customer’s lifestyle and its stores provide a journey of self-discovery. Duncan (2005, p. 289) defines Lifestyle marketing as an association strategy, which uses situations and symbols of lifestyles that are relevant to the target audience. Relevant because it is their present lifestyle or one they aspire to. Aspiration might explain why upscale MSL surprised the skeptics.

Anthropologie is extremely effective at using visual wit to communicate with its customers. In our readings, Pink (1998, p. 3) talks with Gerald Zaltman who observes that “Cognitive scientists have learned that human beings think in images, not in words.” The visual artistry of Anthropologie has propelled them to unprecedented growth. Labarre (2002, p. 2) reports that sales have grown 40% annually.

Anthropologie Technique
Labarre (p. 1) likens visiting Anthropologie to her “open-ended sense of discovery” in France as a teen. She catalogues some of the Anthropologie technique. Foremost in my mind is that the store has a mission to be a journey, not only for customers, but for all the employees as well. Keith Johnson, a buyer, spends 50-75% of his time journeying around the world (p. 5). The entire staff (p. 6) is admonished to travel, shop, soak in culture.

In his book, Zaltman (2008, p. 98) describes the powerful Journey metaphor and notes it is rooted in our biological need for growth, progress and maturation. Labarre (p. 4) relates how Anthropologie wants to help its customers grow, similar to MSL. She quotes them:

"We wanted to create an experience that would set up the possibility of change…”

This is a powerful mission.

Other practices:

• Be customer experts (p. 2). Women, 30-45, educated, in committed relationship….
• An earthier sensibility (p. 3). Texture is important.
• Imperfection, eclecticism, and quirkiness (p. 4). The nature of Journeys.
• Merchandizing to set a mood, not highlight a product (p. 4).
• Storytelling (p. 3). Their voice is friendly and worldly with good stories to tell.

Similar Stores
Pier 1 and Wegman’s come to mind. Pier 1 was the Anthropologie of its day, when I was in my thirties. Labarre (p. 4) discusses the creation of vignettes and stalls that reminds me of Wegman’s. Wegman’s is designed to look like a NYC street of bygone days, with each department looking like a street vendor you might find then.

Duncan says (p. 289) that lifestyle selling is especially effective in highly competitive categories. WVU School of Journalism (2009, p. 2) says that products are not the purpose of a business executing a lifestyle strategy. Products are the vehicles for delivering a message that resonates with the community that relates to your business.

References
Duncan, T. (2005). Principles of Advertising & IMC. McGraw-Hill.Irwin.

Labarre, P. (Decmeber 2002). Sophisticated Selling. Fast Company. Retrieved on November 1, 2009 from WVU IMC 625 Week 2 Readings.

Pink, D. (April 1998). Metaphor Marketing. Fast Compnay. Retrieved on November 1, 2009 from WVU IMC 625 Week 2 Readings.

Isaac Reed School of Journalism, West Virginia University (2009). IMC 625 Lesson 2: Your Client: Intro to a Shelter Title Launch for Time, Inc. Mission, Voice, Lifestyle Message, Target Audience, Strategy. Retrieved from WVU IMC 625 Lesson 2 on November 1, 2009.

Zaltman, G and L Zaltman (2008). Marketing Metaphoria. Harvard Business Press.